4.30.2010

vision of the masses

I see our world and the people of our country strung out on the drug of commerce, commute, control, and fame, worse than cocaine, just as destructive on our brains.  I see scattered masses, ignorance in classes, but who is to blame, the sheep or the shepherds, businesses or buyers.  Fill the graves and tombs of tomorrow, beg steal and borrow your way to the top to a place where you can cast all your trace under a rug.  I see the army of truth, the fighters of free, the dogs of war done wrong, done up, fighting with sickness shell shock fears of the dark, they rise, and they fall, angry tides like packs of wolves burning in the dawn.  The rest of us stink and squalor in our funerary dreams, because before they come you are dead, but the people who were born into anything would like you to believe they are tangible things.  They've commandeered our resources, hijacked our gov't and are growing bored as they charge force into foreign land.  The poor stand like puppets, shot at inaccurately by other poor and weak. I'm sick as fuck and it's so hard to speak, it's so hard to reach, so hard not to let my soul rot another day in the businessman's paradise, corporate diatribe, fabulous and famous carnival ride, where we all drink and get high on life cuz it works out even though it's not always nice, mostly not nice, hardly ever nice.......... you are too fucking strong to cry, too attached to inks and dyes, to wounded souls that hide behind melodramatic eyes, strong runners thighs, but it's a fucking meat shop of lies, we are the lord of the fucking flies, one where the weak all die, piggy survives, markets his eyes, and buys everyone's home and calls it his own........fuck

displeasure

command line prompt
command line pro
command line
command  in
command
comm
co
cool like fall and spring hanging out brown grass dream
cooperative junction into absence and history hindering belief
constant reminders of every little thing
coordination while flushing
commenting on disbelief
complicating grief
communion
union
un
ion
i
on
no place for old men, young men
navigating through shadows
negating ferocity with battles
nightly standing watch when you can not see
no one knows but those stained by living belief
numbers, tags, calculating
nymphs ride in broken minds meflaquin edging suicide


3.30.2010

and Jesus drowned the puppies to save them from life

Oh I thought that was you
but I couldn't see past the rain drizzled shield
wind pushed out in ripples stretching
straining out lines making thin rivers that caught the light just right// you were just a lamp post ghost pacing the streets with bleeding warped face//
and I thought that was me
chasing fear around but it's never
as clear as hearing the sound/ see;
the slam of the ground which whistles precede
I'm lucky I'm writing and not just dictating still have limbs and jars of pennies, I can spread things, grip the world with hands and stand up against ground turning 
still have a voice box to sing building apathy empathy, becoming...
I can design something from nothing, I can change matter by breathing and eating, I can cause vicious waves of alteration from my actions with no tricks up my sleeves, and then I can't do anything, i can't change the fact that we're losing time to think, and in between lost sleep the longer the blinks/ see; caffine drinks, cigarettes I'm slow to think, sad to write
mental y-axis negative, perpetually fueling the analytics that founded this system of crude self-distance, association, complications of the mind, hurry doctor get the paddles, it's all just wasting time, wasting hope, wasting reason to get out if you can, but you won't get out alive/ see; funerary march, dust, second line, second life, trust, will, definite 







3.11.2010

The Desolate Generation

 
Influence of the Beat Generation:
The Desolate Generation


    The Beat Generation was a short-lived, but all encompassing generation.  Their vision and voice have spread throughout history, opening up in pockets of progressive culture, and inspiring movements that’s effects are as relevant to the culture as the Beats themselves were.  They were a frayed youth settled in America during a turbulent era.  Human rights were changing in leaps and bounds; we had passed through two World Wars, and were also involved in the Korean War when their writing and experiences with life were developing.  They were also active through more war later on in their careers.  Because of their sentiment and questioning of authority they have been a valuable source of inspiration, and a guide to changing the way people think for modern day veterans.  The veterans I speak of are modern Afghanistan and Iraq veterans, mainly those who oppose the war, speak their minds, and incite change in American policy.  I will call this group the Desolate Generation.  It started in America with the Lost Generation and writers like Ernest Hemingway, on to the Beats, and now settling in veterans of modern combat. As the world changes, and wars shift, as the enemy is unknown, and the ideals of a nation are blurred, those who have fought and seen the disgusting reality of war, and the inner workings of government, hold onto the same ideas and influences of the Beats.

    des·o·late \ˈde-sə-lət, ˈde-zə-\, adj.
    1: devoid of inhabitants and visitors: deserted
    2: joyless, disconsolate, and sorrowful through or as if through separation from a     loved one
    3 a: showing the effects of abandonment and neglect: dilapidated
b: barren, lifeless c: devoid of warmth, comfort,     or hope: gloomy
    synonyms; see alone, dismal (Merriam Webster Online)

    This generation is riding on the currents of GenX and GenY.  Two generations that are preoccupied with pop culture.  These generations also saw the steepest declines in voter turnout since the 1920’s.  (http://www.presidency.ucsb.edu/data/turnout.php)  I chose the word desolate because to me it defines what this generation consists of.  Upon returning the modern soldier is sent back to a normal life and finds it very difficult to cope with the reality of modern capitalist society.  Much like the beats, they burn off their frustrations through writing, talking, and more often through self-medication and drinking. “Anything in any way beautiful derives its beauty from itself, and asks nothing beyond itself.  Praise is no part of it, for nothing is made worse or better by praise.” (Marcus Aurelius, Mediations (2nd C.), 4.20, TR. Maxwell Staniforth)  Now juxtapose the word beautiful with ugly, and beauty with ugliness.  War is ugly.  The “Support Our Troops” mentality of suburban America is a factor that is good for the returning troops in some ways, but in others it emphasizes the importance of this quote.  These bumper stickers and ribbons grow stale, and for troops returning from multiple tours it only shows the shiny outside and hollow interiors of American society.  As we see low voter turn-out rates, it’s a rational thing to be upset at how little people know of the war, yet how much they think they know.  The war is in movies and on television, giving the public a sense of control, and this makes coming back from the experience a difficult one.  It gives a feeling of desolation and neglect to those who have seen and want these conflicts to end.
    “Whoever controls the media, the images, controls the culture.”  Allen Ginsberg said this profound statement that is truer now than ever in American history.  I refer more to news media, mass media, and changing technology when I say this.  In the bustling American world, where people sit in coffee shops and don’t talk, staring at computer screens, and families sit in front of television screens in every room of the house, they are fed little sound bytes, and advertisement that pounds the subconscious to the core.  I see Jack Kerouac in Dharma Bums strolling down the street, seeing those families, and saddened by the state of his people. “...colleges being nothing but grooming schools for the middleclass non-identity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets is each living room with everybody looking at the same thing and thinking the same thing at the same time while the Japhies of the world go prowling in the wilderness...” (Jack Kerouac, The Dharma Bums)  Without that fire, that experience Jack never could have written such profound, and simple things that ring true today.  The members of the Desolate Generation have more in common with the beats because they have that fire of experience, that exhilaration, and trauma which fuels them as people to go against the grains of society, to take the streets and yell, to fight for a better world, a more equal world with less violence, and greater understanding of culture and fear.
    These bands of desolate veterans in the modern world find each other, and outlets through various projects throughout the country.  Iraq Veterans Against the War is an organization driven to end the war and to help treat veterans dealing with trauma through writing and talking about experience, and how each of us does it differently.  There is also the Vet Art Project, which helps treat soldiers, and family members through art therapy, while getting veterans involved with members of the community to create a more diverse and educated public.  The only problem with these groups is that they are shadowed by media, and a docile society, who is not picking up on what is going on in their world.  These are the same battles that the Beats had to go through, along with the filmmakers that they influenced.  John Cassavetes broke out of mainstream film to make Shadows, and challenged the industry he worked for.   Without contributions like his the culture might still be stuck in a completely dominated entertainment industry.  This industry is instrumental in confronting the public with issues, such as war, poverty, and government abuse.  The Desolate Generation is learning to take the tools back from the corporations, and build on independent ideas such as Cassavetes.
     Like the Beats, the Desolate Generation challenges the American Dream.  They ask people to do something, and start by doing it first.  This most likely stems from the slacker generation of the nineties.  Where material things lost their influence, or at least a large group of kids lost interest in obtaining these material objects through a system offering little and asking for a lot.  It was a generation where kids didn’t want to end up like their parents, ground down by a nine to five job, living in a country of divorce, where most marital arguments are over money.  Those that joined the military, looking for escape, experience, and a jump-start at providing for themselves in a way that proves some kind of deeper worth to themselves.  Yet, the policies of the US government have created dissent and a richer distaste with corporate America, which seems to run the government, and the media. (http://projects.publicintegrity.org/wow/resources.aspx?act=contrib) It only takes a few seconds to find campaign contributions from war profiteers.  It takes a trip to the Middle East, and a talk with a Halliburton employee to see that they are paid five times as much as a soldier, to do less, and to be the support system, for a military designed to support itself.  This is one small area of abuse of power and conflict of interests that soldiers become aware of as they progress through their career. (http://www.rense.com/general46/hal.html)  War Profit Litany is a poem by Allen Ginsberg, about war profiteering during the Vietnam War, and retains its stance as much in these wars as it did in that one.
    William S. Burroughs had an honest idea when he said, “Sometimes paranoia's just having all the facts.”  This is a possible explanation of the disinterest of the public, or rather the inability to change the aforementioned problems with capitalism and government.  It is possible people fear knowing too much because it becomes disheartening, and creates feelings of paranoia.  People also have their own agendas and causes, which they follow, while many follow none.  Many have lost all touch with any kind of spirituality, or morality beyond those advertised, and those nostalgic, attached to memory fading in and out of life through whims and pleasures.  The Beats searched for answers, like a sick man seeks a cure, just as the Desolate Generation searches for answers and the cure. 
    This brings me to some thoughts on the after effects of war.  Though not a Beat author, Kurt Vonnegut has many themes, which seem beatesque, and he also served in a major US war.  After watching the firebombing of Dresden as a prisoner of war, in his compilation of works Armageddon in Retrospect, he says that he would have given his life to save the beautiful city of Dresden.  The guilt of a man does not seem to translate into American society at the time.  I recently interviewed a group of World War II veterans about war and the after effects.  The general answer for the question, “ How did you feel after the war?” was that they felt good.  Granted, these men and women ended a war, but there has to be a moment where we should think of the mass destruction of culture and large-scale loss of civilian life.  After two atomic bombs America had Japan on it’s knees, but two beautiful cities were demolished, and poisoned for years. “Ginsberg, Kerouac, and Burroughs met, became friends, and set up housekeeping together in New York City the year before the atomic bomb was dropped on Hiroshima in 1945. Their religious visions were conceived in its shadow and born out of their shared affinities.”  (John Lardas. Urbana: University of Illinois Press, 2001) It is possible that the Beats were affected by not only the fear and paranoia of a post-atomic bomb America, but rolling off of the karmatic effects of destructive action. “This is a war universe. War all the time. That is its nature. There may be other universes based on all sorts of other principles, but ours seems to be based on war and games.”  This quote from Burroughs is another example of growing dissent toward a society lacking communication and ability to change its natural ways.  It also comes back to the slacker generation of video game absorbed youth, growing more obese and non-committal toward life.  Where the Beat Generation and the Desolate Generation were and are driven to use communication as a leveling tool. 
    In Hemingway’s short story A Soldiers Home, he tells the story of a War Veteran named Krebs.  Krebs returns home after the war and is disassociated from society, unable to tell his story because it has been heard too many times already, because he comes home from the war after it is over.  The people have celebrated, and most soldiers had made it home already.  Krebs gets hassled by his parents to get a job, and to find a girl to settle down with.  Krebs is not interested in any American girls, he notices trends but seems very indifferent to everything.  He loses touch with society and has no outlet.  This is likely an account of Hemingway’s own experience, and was no doubt something read by the Beats, and seen as an accurate depiction of those outcasts of society, giving them the understanding of this outsider view.  The cycle is only continuing with today’s vets and Beat followers. 
    “…who passed through universities with radiant cool eyes hallucinating
Arkansas and Blake-light tragedy among the scholars of war, who were expelled from the academies for crazy & publishing obscene odes on the windows of the skull,” Ginsberg says in Howl.  It seems that he not only talks about the government contributing to Columbia University (where he, Kerouac, and Burroughs met), to work on the splitting of the Atom, but also of the lack of support for open expression, and societies fear of obscenity.  This irony parallels that of modern war dissenters.   You cannot force people to have open ears and open minds, Ginsberg knew that, and that you cannot change a system from the inside easily.  This is the plight of the Desolation Generation.  Though they are the seers and sayers, the eyes of the front, the hands pounding the hammer of democracy night and day, they only find voice inside the system when it is beneficial for the ruling groups.  The corporations and politicians use veterans for their pandering of goods, and political pamphlets.  Shaking hands and smiling faces are a façade.  The Veterans Administration is basically a bureau, which Burroughs so eloquently speaks of in Naked Lunch by saying, “Democracy is cancerous, and bureaus are its cancer.”  The VA is a government agency created only from the outcries of the lost generation, seeking retribution for being sent to war, and lost afterwards.  In the modern society the VA is falling apart.  Not only have they gotten in trouble for infecting vets with the HIV virus by cutting costs and reusing dialysis catheters, misdiagnosing and under-diagnosing Post Traumatic Stress Disorder, but also of shredding patient’s medical records and claim forms.  (http://cujo359.blogspot.com/2008/04/va-caught-witholding-information.html)  This is detrimental to the wellbeing and trust of the Desolate Generation, and a sad fact that few people realize. 
    To come back to the “Support Our Troops” mentality and falsehoods, the Desolate Generation is quite desolate, dejected, forgotten, and neglected.  This desolate landscape is similar to that which the Beat Generation must have faced during draft times, and the Vietnam War, where veterans were being called baby-killers and spit on in the streets.  The mentality of the veteran is complex and full of torment, ready to be released.  Ready to stand and expose society, in its crevices and forgotten spaces.  To shed light on the forgotten people, as the Beats did years before.  By turning pop-culture on it’s head.  By attacking people in their living room with strange ideas, music, and also making themselves targets for ridicule, which they rode out from as victors.
    In conclusion I believe the Desolate Generation is one built on the foundations of the Lost Generation and the Beat Generation.  It also grows roots out from GenX and GenY, and the modern media generation.  The fire that it takes to make change, make art, and challenge the norms and dreams of a society removed from its government’s actions.  These generations have found ways to put the ugly, the tired, and the offbeat right in the faces of Americans, and the world.

2.23.2010

farewell foolish objectivism

it's a sad state when man is raized to hate, discriminate, and eliminate all things strange, thinking they hold no solid place.
I can never be a hero
foolish things often run deep for me,
my lost thoughts as barren and systematic as winter trees
all subconscious comes forward through lack of dreams
cigarettes and antacids at six a.m.
water and eggs drowning down and coagulating
i feel bad and good all the same
transcending perception, making myself outsane
out in the streets howling to the early morning air
to the sleeping, sleepless, drunk, and meandering
breaking up the spaces between all of us stuck
in this blistering burning reality, with cars and tv screens
with debt and monetary dreams, lotteries to keep em clean
to keep them from destroying themselves
spiraling down the rabbit holes reading gravestones as no escape
only hope lies in the book that says the meek shall be saved
the high, the hearty, the full, and greed will try and repent for deeds
what a load of shit shoveled for the poor to believe
everything is amazing and no one is happy

2.11.2010

war they said

I used to think of war in the hollywood sense without any sense.  I used to see these heroic actions, which no doubt in many cases involved the bravery and willpower of the human spirit, and these actions are admirable from the nature of man, but being that, the nature of man, we aknowledge that we all stem from the same thing, and that thing, exists still beyond our scientific unified comprehension.  Man is a warring creature who takes from the violent nature of the very substances which he is created from.  The twisted earth bulging hot inside from the still fresh universe, lit up by the burning light of the sun.  Earthquakes and Hydrogen Dioxide, wind, volcanoes, we live in a violent, turbulent time in the universe.
__I used to not think about things.  I've been watching footage from WWII.  The atom bomb and damages done by the US.  The hand of god dropped down and burnt you up inside and out if you were even close enough to see it.  I think that never in history have so many people been killed at one time.  Should we have bombed North Korea in the Korean War, or now?  Should we bomb Iran?  Is this the problem that constantly faces the American person?  What significance do the moral implications reflect on us as a religious, capitalist, warring system?  Capitalism ensures a fair society, but a hollow society as well.  I don't blame capitalism, I blame greed and the way that power and money make you hollow, what good is there in life when you are on a pedestal and don't have to struggle through the twisted world in which we are forced to exist on?  What choice have I to be spurt forth on a warring planet and laying my hands in what guilt and Hollywood manufactured in my youth and what those warring people bought me to do. 
  I think few of us really have to struggle with the moral implications of mass destruction, but we buy people to do that.  Grown old men, lawyers and families of former politicians, we buy them to make our decisions.  I was bought young to battle in strange lands and would never again offer my soul.  Not with the mysteries of the universe still at large, not with that distrust and distaste still bitter and hot in my throat. 
   Do we live in fear of the next atom bomb?  I'm sure there are still wounds buried deep in foreign soil.  Here we are sweeping up history's ever growing mess.  Albert Einstein helped find the power of god, now we live in fear.  What weapons will the discoverer of the unified theory create?  Will we crash the moon down on the earth in a final assault, is total destruction the only solution?  The mind makes the world the world makes the mind. 

2.02.2010

Taught and Twisted Creatures

Little memories of a smaller me flash like old film.  I've always wanted to learn regardless of where I was or what I was doing.  I have big eyes and a big heart and I wanted to know the world from every angle.  Now glowing ghosts in dry eyes are manifestations of a complex sadness.  Everything rubs off on you.  Your DNA learns from everything around you even if you don't notice it.  I think we are always changing and cells always rebuilding, maybe we have gotten out of the grips of nature, either that or nature thrives on chaos, given the chaotic nature of the human.
We are not always analytical, and neither are we focusing all energy on survival.  What makes us love?  Stress and struggle.  Struggle to survive and be, persistence, growth, and care.  No one needs anyone anymore.  So instead we use sex as therapy.  
So we outgrew our bodies and our minds had nowhere to grow.  Now the thick weed of the mind is crying out to the body through migranes, obecity, insomnia, and depression.  It's screaming for more soil with which to root, but physical limitations and the slow nature of evolution leave us dire.  As our technology seems to outgrow us, our minds outgrow our bodies, and thus the current insufferable social-economical and political climates throughout the world.  Racism, genocide, torture, and war.  Nuclear weapons, chemical weapons.  Some people and entire societies are barely out of the caves we lived in 60,000 years ago, while the world grows at an unbelievable rate. 

taught and twisted creatures
fumbling through the night
the vultures and the weasels
got steely eyes alright
if you don't have any ideas
then why do you exist
the part that you just cant start
is the reason for my bliss